Live at The Sheldon: Fanfares and Festivals
Item details
Date
Thursday, Dec 5, 2024 7:30PM
Name
Live at The Sheldon - Fanfares and Festivals
Description
Steven Franklin, curator and trumpet
Amanda Stewart, curator and trombone
George Goad, trumpet
Thomas Drake, trumpet
Julie Thayer, horn
Victoria Knudtson, horn
Jonathan Randazzo, trombone
Jonathan Reycraft, trombone
Jason Sato, bass trombone
Chance Trottman-Huiet, tuba
Alan Stewart, percussion
William Byrd (arr. Chris O'Hara) Earl of Oxford’s March
Tylman Susato (arr. John Iveson) Renaissance Dances from The Danserye
Francis Poulenc (arr. Conrad Henning) Four Short Prayers of St. Francis of Assisi for trombone quartet
Oskar Böhme Brass Sextet in E-flat minor
Igor Stravinsky Fanfare for a New Theatre
Steven Franklin Quintet in B-flat major for low brass (World premiere)
Morley Calvert Suite from the Monteregian Hills
Gustav Holst (arr. Steven Franklin) “In the Bleak Midwinter”
Giovanni Gabrieli Canzon II a 4, Ch. 187 from Canzon per sonare
📍 This concert takes place at The Sheldon
The virtuosity of brass—written for cathedrals, for festivals, for the prayers of saints, and for the sheer joy of making music—takes center stage. Celebratory sounds from the Renaissance and Baroque, the mid-20th century, and a new work by SLSO Principal Trumpet Steven Franklin fill the hall. Discover the multiple characters, tones, and moods the instruments convey as well as the astonishing talents of the musicians who play them.
Purchase individual tickets to this performance here.
Purchase a subscription for the 24/25 Live at The Sheldon series here.
A few things to know:
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In 1948 Francis Poulenc composed Four Small Prayers of St. Francis of Assisi for an all-male a cappella chorus at the request of his great-nephew, a Franciscan friar. The trombone arrangement was written by Conrad Henning and beautifully renders the individual voices of the original, including the brief solo in the final movement, which Poulenc described as “like a monk leading his brothers in prayer.”
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Oskar Böhme grew up in Germany and studied trumpet and composition. He moved to St. Petersburg prior to the Soviet revolution, where he wrote Sextet, which became a hallmark of Romantic brass composition. However, Böhme would become a victim of Stalin’s purges, executed because of his German heritage. Böhme’s music and biography are still being resurrected in the 21st century.
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Stretching roughly from Montreal to the U.S. border, the Monteregian Hills are home to a music camp founded by French-Canadian musician, educator, bandmaster, and composer Morley Calvert. In his suite, he captures the idiosyncrasies of the local character: a Sousa-style march reverts into something more French; a “ridiculous waltz” takes peculiar shape; and the finale combines “village” dance rhythms with a Christmas carol.
Please note: Online ticket sales close three hours before the performance. However, you can still purchase tickets in person or by calling the box office at 314.534.1700.